The Bigass Fantasy Maps I Love Post
Let’s begin with a classic: Ursula Le Guin’s Earthsea. I love all the islands, the scattered nature of her world, the mythos of the place names, the possibilities of having so many lands and so many peoples. It feels so real.
Tamora Pierce’s Emelan and surrounding lands. This is the only nothing-justified fantasy map I know of. Sure there’s a sea in the middle, and a tip of one at the top, but that’s it. We’re truly inland here, travellers going by road rather than ship.
My strong dislike of Steven Erikson’s writing not withstanding, he does have one cool world. Like Earthsea, only with continents, we get a complete world. It goes to both poles and wraps around all the way. Another world that gives hints of richness and looks truly real.
Holly Lisle’s Matrim is so win that I’m willing to overlook her straight-lined, right-angle border and stick it in my fantasy map love post instead of my fantasy map hate post. I love the craters, the swooping chains of islands, the curves of continents, the darkness of magic that has scarred her world. You get a deep sense of story just from the map alone. Plus, it’s in colour and has coffee stains!
Being Canadian, I really hate fantasy authors who write off the northern bit as empty wastes where nothing happens and they don’t bother with up there. In J. V. Jones’s Sword of Shadows everything happens up there in this top-justified world. She does have a giant gap called the Great Want, but there’s lots of plot going on there too. The map suggests cold, and I feel cold to bone just reading them.
The last two are from Jude Fisher’s Fool’s Gold. I have no idea what the fuck is going here, I can’t even remember what the books are about. I just love that the maps are round, uncharted is not where the page ends and it’s just so damn unique.
Honourable mention: I’ve never read Adrian Tchaikovsky yet, but for the scale of his world the map has an impressive amount of detail.